NO-COMFORT ZONE Week ending November 4, 2012

This has been a good week. After so much worry about health, my symptoms seem to be giving me a break this week, for which I am very thankful. Still no appointment for tests, but I have turned a page, moved into an upbeat mode.

Ron Silliman in blogging workshop

Ron Silliman in blogging workshop (Photo credit: pesbo) Credit Pearl Pirie

And then there is MODPO!  This was week 8 out of 10. It was an assignment week, and the week we studied L.A.N.G.U.A.G.E. poets, including Ron Silliman, whom I met when he was in Ottawa back in March. Fascinating encyclopedic knowledge of poetry, American yes, but also Canadian. We looked at his Albany and BART poems, and had the pleasure of his participation on the discussion forums.

We studied several sections of Lyn Heijinian’s My Life, Bob Perelman‘s Chronic Meanings, and In a Restless World Like This Is, by Charles Bernstein,

English: American poet Charles Bernstein at Wr...

English: American poet Charles Bernstein at Writers’ and Literary Translators’ International Conference (Stockholm, June 30, 2008) (Photo credit: Wikipedia)

who also participated in our forums. We then moved on to Emily Dickinson‘s My Life had stood – a Loaded Gun as a featured poem in the Susan Howe book, My Emily Dickinson. We heard a Poem Talk discussion of that one.

Emily Dickinson

Emily Dickinson (Photo credit: Wikipedia)

Of course, for each poem and poet, there are audio recordings if available, often recorded Poem Talks, and a video discussion by Al Filreis and his TAs to close read or share their opinions (both, actually!) on the poems.

Coming this week we are taking a look at chance operations as a poetic constraint, and will then do the final assignment. It sounds interesting, and there is much speculation of exactly what we will be asked to do. That info comes to us at the stroke of midnight EST tonight. It will either relate to the mesostic form created by of John Cage, or Bernadette Mayer’s Experiment.  More about that next time!

CAA Weekly Notices Correction Bywords Quarterly Journal Fall Launch Nov. 4


Bywords Quarterly Journal Fall Launch & Editors' Reading
Sunday, November 4, 2012, 2pm
Featuring poetry from contributors Sylvia Adams, Andre Narbonne, Myrna 
Rootham & Matthew Walsh
Poetry by editors Amanda Earl, Carol A. Stephen & Claudia Coutu Radmore
& music by Jesse Rose.

Further info: amanda@bywords.ca

 

Review of James Arthur’s Charms Against Lightning

Charms Against LightningCharms Against Lightning by James Arthur

My rating: 5 of 5 stars from GoodReads

I read the new first book shown here, from James Arthur as soon as I received it this week. There are amazing phrases and images in every poem. James startles you at every turn. Just as you think you know where the poem has landed you, you’re off in another direction. I will be reading it again next week, trying to decide which poem is my favourite. For now, though, I’ll just note the first one in the book, which is the title poem, Charms Against Lightning, the last one, Summer Song, and the one that appears on the back cover, Reed Ships.

You can also check out James Arthur’s webpage here:

http://www.jamesarthurpoetry.com/ 

The book can be ordered at Amazon.com or at Indigo.ca.

  • Paperback: 96 pages Publisher: Copper Canyon Press (November 6, 2012)
  • Language: English ISBN-10: 1556593872 ISBN-13: 978-1556593871

Samples of James’ poems are to be found here, where he’s featured this week as The Sunday Poet.

http://www.gwarlingo.com/2012/the-sun…

View all my reviews

No-Comfort Zone Week ending Oct. 28 2012

This week’s challenges have  been split between self-care and enjoying week 7 of Modern & Contemporary American Poetry over o the Coursera platform.

 

It’s week two of the CHIP program, and the constant weather changes have been playing with my aches ‘n pains and sinuses. I’ve been learning a new relaxation technique so I am hoping that will help me refocus away from that. I had started taking some supplements but they seemed to just give me more issues, so stopped again. It isn’t good to self-diagnose anyway. So let’s forget those and think about MODPO!

 

 

This week we studied the New York School, looking at Frank O’Hara’s The Day Lady Died and A Step Away from Them. These were an intro into O’Hara in preparation for Assignment 3, to do a close reading of Why I Am Not a Painter. Not really happy with my essay, but it is done, and that is the main thing.

 

We also looked at a funny pastiche by Kenneth Koch Variations on a Theme by William Carlos Williams which lead to a discussion forum on creating our own pastiche on this or one of the other or all of the poems we’ve looked at over the last seven weeks. This made for some really fun and strange offerings, with some poems a mix of many poets and styles parodied. (I’m not sure where some folks find the time to write so many of these or to follow so many of the discussions. This week I had to concentrate on the assignment as I tried to decipher the difference between anti-narrative and alt-narrative.Not sure I got it right.)

 

We also looked at Barbara Guest‘s 20 before considering Some Trees and Hard Times by John Ashbery.  We also met Ted Berrigan in his poem, 3 Pages, and finished up with Bernadette Mayer‘s Invasion of the Body Snatchers.

 

 

Next week’s intro and discussion forums are now up, and tomorrow we start looking at the essays we are assigned to evaluate. And we do the intro week to Language poetry, starting with Ron Silliman who was here in Ottawa in March for a reading and workshop at A B Series. Ron was a fascinating speaker with an incredible memory for all things poetry. He even keeps up on the Canadian scene, which is great.  We’ll also look at Lyn Hejinian, Bob Perelman, Charles Bernstein, Susan Howe, and revisit Rae Armantrout before concluding with more of Silliman.

 

Looks like another great week of poetry immersion!