“Today, I’d like to challenge you to write a poem . . . in the form of a poetry prompt. If that sounds silly, well, maybe it is! But it’s not without precedent. The poet Mathias Svalina has been writing surrealist prompt-poems for quite a while, posting them to Instagram. You can find examples here, and here, and here.”
Mirror, Mirror, a prompt poem
1. Look into the mirror, past
2. The person you see,
3. Deep in the glass, find the objects of your life.
This poem was not in response to any NaPoWriMo prompt, but rather a phrase I heard on a CNN newscast out of Ukraine. The counterpoint of dried blood from massacre, and a bouquet of fresh-cut spring flowers.
Dried Blood and Flowers
Makeshift graves for the bodies, their only crime,
Being there when the invaders felt like target practice.
On the ground, blood stains where they fell,
Dried now, beside a cluster of flowers, remembrance
For the unknown fallen, for family members taken, and soldiers
Defending against an indefensible war.
This is a war of atrocities, by aggressors who lack all humanity.
Vicious animals, with no respect for their so-called brothers.
…”And now for our (optional) prompt. This one is a bit complex, so I saved it for a Sunday. It’s a Spanish form called a “glosa” – literally a poem that glosses, or explains, or in some way responds to another poem. The idea is to take a quatrain from a poem that you like, and then write a four-stanza poem that explains or responds to each line of the quatrain, with each of the quatrain’s four lines in turn forming the last line of each stanza. Traditionally, each stanza has ten lines, but don’t feel obligated to hold yourself to that! Here’s a nice summary of the glosa form to help you get started.”
Vita Sackville-West That was a spring of storms. They prowled the night; Low level lightning flickered in the east Continuous. The white pear-blossom gleamed Motionless in the flashes; birds were still;
April. A bitter night we drove along the coast,
Lake Huron, a white-capped dark sea,
as a distant beacon flashed its dire message, solitary eye
keeping the watch. You turned to the window,
mile upon mile, a prisoner in your own silence,
a lonely world bereft of light.
There’s a sadness when shared space yields no warmth,
where two people sit, together but alone, where
there’s nothing to say, try as you might.
That was a spring of storms. They prowled the night.
The road shone wet, swept by a blur of wind, rain,
and branches torn from newly-budding trees.
Soggy foxes trotted across our path, in search
of shelter from the wet. I kept an eye out
for sudden deer looking to cross to the other side.
You took no notice, not in the least.
Was this a punishment for things not said, or
words not held back? Too difficult to tell.
Outside the pounding rain had ceased,
though low-level lightning flickered in the east.
I wondered if that night would ever end:
your accusing silence over there, the storm still hovering
to the left, and animals that roam at night just off stage.
I felt a quiet sense of rage at helplessness
to bring this drama to its final scene. Or was it me
that was the drama queen, swimming in some extreme
pantomime? Just in time, the rain began again.
Time to concentrate on getting home,
leave behind this thunder dome to play its ominous theme,
continuous. The white pear-blossom gleamed
just beside the door as we arrived at home. White petals
scattered across the grass, and up the front steps, formed
a welcome mat put out for us by the storm.
I might have smiled. Would have if the drive had been
less fraught, even so it dissipated the chill
I’d felt from the other side of the car, the storm outside
fighting with the inner storm you carried with you,
like that cartoon character under a cloud.
In the last of the lightning, no cry of whip-poor-will
…”And now for our daily prompt (optional, as always). Today, I’d like to challenge you to write a poem based on a word featured in a tweet from Haggard Hawks, an account devoted to obscure and interesting English words. Will you choose a word like “aprosexia,” which means “an inability to concentrate”? Or maybe something like “greenout,” which is “the relief a person who has worked or lived in a snowy area for a long time feels on seeing something fresh and green for the first time”? https:www.napowrimo.net
Here’s my effort for Day 2
Glacitate, Crocitate, Cucubate, Never Pupillate
This vernality, I wish to be multiscious on the ways animals voice their concerns and welcomes.
As the goose glacitates, and the ravens crocitate, I listen for the owls, hope to hear them evenings as they cucubate in the tall trees along the way.
Early mornings, in years past, my open window welcomed in the sound of a nearby rooster, as he cucuriated to welcome the rising sun. These days, by the feeder,
there are sparrows, juncos, grackles and mourning doves none of them chelidonizing nor glocidating like swallows or hens.
Hereabouts peacocks only pupillate in scary movies.
This spring, I wish to understand the ways animals voice their concerns and welcomes.
As the goose honks, and the ravens caw, I listen for the owls, hear them hoot in the tall trees by the river. Early mornings,
before the new houses were built, I’d hear a rooster call his greeting to the rising sun. These days, our feeder welcomes sparrows, dark-eyed juncos, grackles
and mourning doves, none of them chirping like swallows nor cackling like hens. In the distance, at evening, from river’s edge, the simple serenade of Canada Geese, as they settle for the night.
They tell me all is right in their corner of the world.
Quillfyre 