Salute to Poetry and to dVerse on its 3rd Anniversary!

It’s been awhile since I posted due to some health issues causing difficulty typing, but the weekly (or perhaps bi-weekly) newsletters from CAA will be back in August.  Meanwhile, I wanted to say congratulations to dVerse on its 3rd anniversary. Even though I don’t post there often, I do follow the blog and I save the posts!

Yesterday I came across an old sonnet I wrote that says a bit about what it’s like being a poet. This one is about a male poet, but of course can be applied to female poets (with appropriate substitutions):

 

On Contemplation of the Muse

Hungary-0064 - József Attila

Hungary-0064 – József Attila (Photo credit: archer10 (Dennis))

 

 

 

In shadow sits a solitary man,
in pensive contemplation of his muse.
He writes sweet poetry because he can
with clever words beguile and yet amuse.

 

 

 

A simple turn of phrase he will infuse
with dulcet undertones of wit and rhyme.
No lady ever born has yet refused
a poet spinning words three-quarter time.

Statue of Phillis Wheatley

Statue of Phillis Wheatley (Photo credit: Sharon Mollerus)

To win a heart with words can be no crime.
But poets walk alone in mighty crowds,
hearts beating cadence to a different chime,
while heads are often floating in the clouds.

The price is high for those who live to write:
The muse seeks succor day or dead of night.

Carol A. Stephen

 

 

 

 

 

Giardino dei Boboli, Firenze, Italy.

Giardino dei Boboli, Firenze, Italy. (Photo credit: Wikipedia)

And then I was thinking about the lovely photo of the place where dVerse is holding its celebration today. The Pitti Palace, with its lovely Boboli Gardens in Firenze, Italy. I was lucky enough to visit Italy and the Pitti in August 2001 with my late husband. John had been a Renaissance buff for many years, having lived in Firenze when he was a young man.

 

But to salute dVerse: This is a great blog that presents poets with ideas and challenges to keep the poems coming, whether it is to write a sonnet, or a poem about family history, or an ode to poets and poetry. Congratulations, dVerse! My poem here is about the wonderful venue you’ve chosen for the Poets’ Ball.

 

Amidst the Soaring Cypresses

 

I teased my husband when he’d talk
about the Boboli, pretend he’d said
Bubbly and I’d ask about fountains
how many, what statuary, how tall the trees
behind the Pity Palace? Ah, yes the Pitti, sorry.

In 2001, there we were, amidst soaring cypresses,
the grids of green grass and dark shrubs with waxen leaves.
Hot that day. In the sizzle of 37 Celsius, I dreamed of dipping toes
into Neptune’s Fountain of the Fork, settled instead on the long walk

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through groves of trees and the shadows of Spiders Lane,
shuddering at the thought of eight tiny legs crawling up my own.
We took pictures of The Dwarf Morgante, the giant stone tub and
statue after statue that still loom and gesture in their frozen poses.

Tomorrow, the Poets Ball at Boboli. I will dance alone among the trees
for the memories of the gardens, the stone figures, and of him.

Carol A. Stephen
July 16, 2014

The back facade of Palazzo Pitti in Florence a...

The back facade of Palazzo Pitti in Florence as seen from Boboli Gardens. גני בובולי (Photo credit: Wikipedia)

Writing Process Blog Tour with Simone Muench

In March I participated in the blog tour on Writing Process. Today I discovered this one by a poet who’s published a book and has a chapbook forthcoming using the cento form, which I love. I wanted to share this one with others who might read my blog. Carol

Editor's avatarJFR Blog

Welcome to the Writing Process Blog Tour!MillsCompHi.indd

I’d like to thank Tyler Mills for so graciously inviting me to participate.

Tyler Mills is the author of Tongue Lyre, winner of the 2011 Crab Orchard Series in Poetry First Book Award (SIU Press 2013). A poet and essayist, her poetry has recently appeared or is forthcoming in Blackbird, The Believer, POETRY, and the Boston Review, and her prose has appeared in the Robert Frost Review and the Writer’s Chronicle. Her poems have received awards from the Crab Orchard Review, Gulf Coast, and Third Coast, and she has been the recipient of work-study scholarships from the Bread Loaf Writers’ Conference and the Vermont Studio Center. A graduate of Bucknell and the University of Maryland (MFA, Poetry), she is Editor-in-Chief of The Account: A Journal of Poetry, Prose, and Thought. She lives in Chicago, where she is currently working…

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Third Experimental

The first section is a draft poem begun and never used as is, although the lines have appeared in several different poems in perhaps slightly different phrasing. The second part is free-writing based on the first lines.

Feather Dialect

I.

We write sentences of small existence
staccato bursts of jazz
or an eight bar blues beat
praise songs, songs for the dead
in the language memory teaches us
a dialect of promises and hope
an accent of incidentals.

II.

Double ClocksWake, dress, eat, work. The hours of existence. Each minute small
summing life one tick, one tock at a time. Eat, sleep. Wake.
Repeat. Endless in monotony but punctuated.

We are not automatons. Bored, inert, a sudden jolt of jazz
pulls our strings. We dance like puppets at rope’s end, then
pull back into wakedresseatworkeatsleepwake at the end
of the bar. Blues? Those long mean minor notes, notes from
the Indigo side, Chicago, Delta, rhythm of humdrum days
and long drawn nights, a black and white movie in
Kerouac’s San Fran. Piano in the background.

Then hallelujah! A ray of golden gospel chorus and
the wings of angels hum. Some born again, the rest
just mark time to the next meal, next shift. Next.

Last shift is coming. All of us in denial. An endless stream
of days ahead, wake, dress, eat, work, eat, sleep.
One morning early the song for the dead plays in our ears,
our own last melody. Still thinking what if tomorrow…?

Overhead, a stone reads In Memoriam taken from the language
of granite. Rocks have long memories, can tell you what first was
begat and what begotten down eons. Our memories, shorter than
our short lives, end the moment before lights out.

We think everafter. Where there’s life and feathers.
Incidental words in incidental accents for incidental lives.

CAS May 10, 2014

 

Graveyard's door

Graveyard’s door (Photo credit: echiner1)

 

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The First Experimental

Due to a technical glitch, it looks like this post was deleted, leaving only a “Second” experimental poem. The experiment was to take a short poem or several orphan lines with nowhere to go, and from there do some free-writing or wild-writing based on the first lines to see where it leads. I’ve been working with Lewis Oakwood on this as-yet-unnamed form.  It is an inversion of the usual way of free-writing first, then editing down. Here is the first attempt:

 

LINE EXCAVATIONS, ARCHAEOLOGIES

I.

It’s not about the tremble on your tongue
It’s in the taste of mountains
the colour of wind
the bitter voice of herbs
the texture of air
the tremor of red stones

II.

Imagine a mountain taste: salt, bitter, earth taste

pyrite

pyrite (Photo credit: Wikipedia)

a hint of old sock and worm perhaps mold
the metallic iron nuances of fool’s gold, mint, almond
a trickle of fresh melt and shell

Imagine. What is the colour of wind? It pulls blue from the air
folds it into white filtered through smog and rain
from the west it shatters into grey, white from the south and north
marine blue moving west from the east coast of Greenland and
when it rises upward fades into black and stars

Imagine you hear the bitter voice of herbs. Is it a low mutter gutteral
or a high clear C-note above sound? Does it resonate?
A bounce-back beat a staccato stack of jazz riff searching for a melody
or a thrum drum hum just north of subsound— does it incline, lean, a little hot
and mean, toward a little subterranean Mediterranean Latin lilt tilt?

imagine the texture of air, a lightweight seersucker suit, a mixed brew of scent
and twinge, eau of meadow and l’air du city smoke, a soupçon of cloud, sieved
through a fine mist of rain, snow and fresh with fragrance of sun.

English: Ayers Rock, Uluru, Australia Deutsch:...

English: Ayers Rock, Uluru, Australia Deutsch: Ayers Rock, Uluru, Australien (Photo credit: Wikipedia)

I’ve seen the tremor of red stones.
How they tremble at the clap of thunder,
huddle together under harsh storm. Each shiver
a glimpse of glint on rounded shoulder, lined
with spidery veins of silver and gold granite,
but though they tremble they will not break,
and they will never let you see their heart.

Carol A. Stephen
May 8, 2014

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