NaPoWriMo 2018 Two Sylvias Press Days 10 and 11

For Day 10, the prompt was to work with Sylvia Plath’s poem, Three Women, and the idea of mothering and sadness. I used an old erasure poem as a basis for this and reworked it. The coloured fonts represent the different voices I heard in this piece.

Mothering in Three Voices

 

Bear witness.  We each mother
our own pain.
Hatred of the body runs deep
in rivers of distrust

I mother the pain of women
consciousness growing
backward, denial
peeled away.

Sylvia, you’re so tired. Lie down.

Our tiredness profound,
we felt how good we were
at pushing down tears.

Don’t ask for light, Sylvia.

And I wept for myself,
for my mother, for the endless
grief of losing two children.
 

Don’t ask for your grandmother’s grief.
Her mother died in childbirth
wailing for all women.
Not your pain, Sylvia, but the pain.

She knew why we were on earth.
There are no mistakes, no other path,
no words beyond reason.
The veil between is thin.

 

Carol A. Stephen
April 9, 2016/April 12, 2018
rework of What We Carry with Us

 

 

 

 

 

 

 

For Day 11, the prompt asks to draw ten circles, then use the circles to draw images, then write about the images, using at least five of them. And to write in couplets, at least 15 lines.

Here is my attempt:

Remember Gilroy?

At harvest, when the pumpkin’s ripe and the moon
shines full on the shadows, Gilroy

my cat, eyes like dark beads, sings songs at
the front door, loud enough to wake babies.

Daytime, he plays with his sparkly toy balls,
plays fetch like the old dog used to do.

Daytime, his eyes like marbles, narrow
to slits, as he readies himself to

pounce on a malted-milk ball, loose
from the package and rolling on the floor.

We trip over unsuspected lumps
under the edges of carpets.

Wherever that cat goes, he leaves his presents.
Never puts his toys away, except in his food bowl

when it’s empty.
It’s all just to say, Gilroy was here!

Carol A. Stephen/April 11, 2018

NaPoWriMo 2018 Two Sylvias Press Day 4

For this prompt, the suggestion was to use various forms of the word break/brake, and perhaps song titles, compound words.

Here is my attempt:

It was Royal Albert

 

that old teacup, knocked hard
on the kitchen tap. Snap!
goes the handle.  The last tie
to your memory, now just
broken bits of blue violets.

No tears. Seven years ago
I put the brakes on, called
time out before I called it off.
No more achy-breaky me.

You’d been broke
and broken too long,
always wanted what
you’d had and lost.

Didn’t really want me
‘til I no longer wanted you.

 

Carol A Stephen
April 4, 2018

Paper clips break-dancing

NaPoWriMo 2018 Two Sylvias Press Day 1

The first prompt from Two Sylvias was to write about a favourite mistake. I am not sure this was my favourite mistake, but certainly one of the bigger ones.  For this one, I reworked an older poem:

 

Mistaken Identity

That was the moment
it all came down,
our cardboard fiction a pairing
built on haze and sleight of mouth.
At the door where mistrust
became certainty, you spoke, and—

lt was not the new millennium.
It was 1922. You were the master
ordering docile obedience
It was the last page of dialogue,
a script going nowhere.
Your mistake.

I stepped across the threshold and
closed the door.

Carol A. Stephen
Nov 2010/April 1 2018

NaPoWriMo 2018 Two Sylvias Press Day 8

This prompt was to imagine a famous person creating a unique landmark:

 

Somewhere in Tupelo

there’s an evergreen, towering
like a skyscraper, point brushing
against clouds, branches

festooned with memorabilia: replicas
of gold records, ribbons looped through
needles, labelled Heartbreak Hotel
miniature Grammys for gospel music.

Tiny pink Cadillacs dangle, hubcaps
still shiny. Someone climbs a ladder
once a week, to polish all the wheels.

Draped scarves grace necks of
rock idol dolls, dressed in white
suits, rhinestones still gleaming.

Somewhere there’s an Elvis tree,
still decorated for Christmas.

 

Carol A. Stephen
April 8, 2018