NaPoWriMo 2018 Day 6 through 8

NaPoWriMo Day 6 prompt:  “Today, we’d like to challenge you to write a poem that stretches your comfort zone with line breaks.…”

 

A Cold April Rain 

 In the light
of day, trees
in overcoats of thick ice, their branches
droop and sway and
the tree’s trunk cracks under the weight.

in the light
of day, roads
slick-coated in grey ice, hide
under a thin layer of snow. Everything
slides west toward the sun.

in the light
of the sun, ice
turns clear, then melts, the runoff rivering
toward drains, the overflow
and puddle at curbs and in front of mailboxes.

the storm ends
and in its wake
we mourn the death of trees.

Carol A. Stephen
for April 6, 2018

Day Seven On April 7, 2018

“And now for our (optional) prompt. In our interview, Kyle Dargan suggests writing out a list of all of your different layers of identity. For example, you might be a wife, a grandmother, a Philadelphian, a dental assistant, a rabid Phillies fan, a seamstress, retiree, agnostic, cancer survivor, etc.. These are all ways you could be described or lenses you could be viewed through. Now divide all of those things into lists of what makes you feel powerful and what makes you feel vulnerable. Now write a poem in which one of the identities from the first list contends or talks with an identity from the second list. ”

Accountant Speaks, Poet Answers Back

Poet, you lack focus and attention,
you have no sense of order, no plan, no deadline,
just write when the urge comes
and the pile of undone writing
at the end of the month is growing.  Your
nput exceeds output, the way
debt might exceed assets. You
don’t pay your dues to your poetic muse.

Accountant, don’t you see?  It isn’t
black and red, it doesn’t work
the same as 4 -2 = 2.
A poem might be 4 +2 = 6 but at its heart still- 4.

There is no balance sheet, no double-entry books,
It’s not like inflows and outflows at all.
It comes when it comes or it doesn’t
come at all. The poem isn’t a transaction.

It’s an idea, will ‘o’ the wisp,
chimera, figment, dream.

It’s a ghost you chase after.
It’s a butterfly fluttering on the wind.
Carol A. Stephen
April 7, 2018

 

 Day Eight On April 8, 2018

And now for our prompt (optional, as always). Let’s take a leaf from Shelley’s book, and write poems in which mysterious and magical things occur. Your poem could take the form of a spell, for example, or simply describe an event that can’t be understood literally. . .

 

Spells for a Summer Day

Whisper the spell for smooth, taut skin
the face of youth shining back in the glass

Whisper the spell for one last love,
the one that the soul was meant to know

Whisper the spell for fairy dust, for a magic wand
and for wanderlust, far away castles that float in air

sun always shining, weather always fair
the song of the birds, the flowers of spring

Whisper the spell for everything
we wished for as children.

Be young again, free, and full of laughter
Let go the fear of what’s coming after the last day

we breathe, the last day we speak, the last
day we whisper the spells in the glass.

Carol A. Stephen
April 8, 2018

 

NaPoWriMo 2018 Two Sylvias Press Days 10 and 11

For Day 10, the prompt was to work with Sylvia Plath’s poem, Three Women, and the idea of mothering and sadness. I used an old erasure poem as a basis for this and reworked it. The coloured fonts represent the different voices I heard in this piece.

Mothering in Three Voices

 

Bear witness.  We each mother
our own pain.
Hatred of the body runs deep
in rivers of distrust

I mother the pain of women
consciousness growing
backward, denial
peeled away.

Sylvia, you’re so tired. Lie down.

Our tiredness profound,
we felt how good we were
at pushing down tears.

Don’t ask for light, Sylvia.

And I wept for myself,
for my mother, for the endless
grief of losing two children.
 

Don’t ask for your grandmother’s grief.
Her mother died in childbirth
wailing for all women.
Not your pain, Sylvia, but the pain.

She knew why we were on earth.
There are no mistakes, no other path,
no words beyond reason.
The veil between is thin.

 

Carol A. Stephen
April 9, 2016/April 12, 2018
rework of What We Carry with Us

 

 

 

 

 

 

 

For Day 11, the prompt asks to draw ten circles, then use the circles to draw images, then write about the images, using at least five of them. And to write in couplets, at least 15 lines.

Here is my attempt:

Remember Gilroy?

At harvest, when the pumpkin’s ripe and the moon
shines full on the shadows, Gilroy

my cat, eyes like dark beads, sings songs at
the front door, loud enough to wake babies.

Daytime, he plays with his sparkly toy balls,
plays fetch like the old dog used to do.

Daytime, his eyes like marbles, narrow
to slits, as he readies himself to

pounce on a malted-milk ball, loose
from the package and rolling on the floor.

We trip over unsuspected lumps
under the edges of carpets.

Wherever that cat goes, he leaves his presents.
Never puts his toys away, except in his food bowl

when it’s empty.
It’s all just to say, Gilroy was here!

Carol A. Stephen/April 11, 2018

NaPoWriMo 2018 Two Sylvias Press Day 4

For this prompt, the suggestion was to use various forms of the word break/brake, and perhaps song titles, compound words.

Here is my attempt:

It was Royal Albert

 

that old teacup, knocked hard
on the kitchen tap. Snap!
goes the handle.  The last tie
to your memory, now just
broken bits of blue violets.

No tears. Seven years ago
I put the brakes on, called
time out before I called it off.
No more achy-breaky me.

You’d been broke
and broken too long,
always wanted what
you’d had and lost.

Didn’t really want me
‘til I no longer wanted you.

 

Carol A Stephen
April 4, 2018

Paper clips break-dancing

NaPoWriMo 2018 Two Sylvias Press Day 1

The first prompt from Two Sylvias was to write about a favourite mistake. I am not sure this was my favourite mistake, but certainly one of the bigger ones.  For this one, I reworked an older poem:

 

Mistaken Identity

That was the moment
it all came down,
our cardboard fiction a pairing
built on haze and sleight of mouth.
At the door where mistrust
became certainty, you spoke, and—

lt was not the new millennium.
It was 1922. You were the master
ordering docile obedience
It was the last page of dialogue,
a script going nowhere.
Your mistake.

I stepped across the threshold and
closed the door.

Carol A. Stephen
Nov 2010/April 1 2018