NaPoWriMo 2018 Day 14 & 15

“today’s prompt is to write entries for an imaginary dream dictionary. Pick one (or more) of the following words, and write about what it means to dream of these things: Teacup   Hammer  Seagull  Ballet slipper   Shark  Wobbly table   Dentist Rowboat

Fish Story            Carol A. Stephen April 14, 2018

I wake from the dream again, my breath
coming hard in short gasps of stale night air
Always the same dream, the green teacup
filled the rim with almond-scented tea,

the pain behind the eyes, a small hammer
pounding in rhythm to my heart minutes
after I drink the last of the bitter brew.
My dentist hovers at the door, a seagull

perched on his left shoulder, in its mouth
pink ribbons attached to a size 4 ballet
slipper. The bird lifts off, settles
on the wobbly table beside my chair.

He pokes my cheek with his sharp beak,
once on the left, then hops round to the right
to peck three more times, each a little harder.
He’s a mean bird.

Through the doorway, there’s a bathtub.
I hear water splash but I’m too far away to see what.
The dentist beckons me forward, pushes me
through the door. I see a small child, in a rowboat,

a bigger-than-he-is fish swims laps around him.
The tub-water, red, has a familiar salt-iron smell.
The child points to the fish. Says, This is Sharky.
He loves the taste of blood. The echo of his words
still with me as I shake off sleep.

All it says in the dream dictionary
is to stop eating fish.

 

 

 

 

Day 15 NaPoWriMo.

 

And now for our prompt (optional, as always). In her interview, Blake suggests writing a poem in which a villain faces an unfortunate situation, and is revealed to be human (but still evil). Perhaps this could mean the witch from Hansel & Gretel has lost her beloved cat, and is going about the neighborhood sticking up heart-wrenching “Lost Cat” signs, but still finds human children delicious. Maybe Blackbeard the Pirate is lost at sea in an open boat, remembering how much he loved his grandmother (although he will still kill the first person dumb enough to scoop him from the waves).

The Orange Man

His small fingers
creep closer to the red button
as he tweets in a rampage about
this country or that.

He threatens, he promises
and tomorrow what he promised
he will deny, what he threatened
he’ll forget, or blame someone else.

Day upon day upon day, so that
we worry now that we’ll become
blasé, ignore his threats, believe
he’ll never do what he says he will.
We become immune. The man
is dangerous, but the bigger danger
is to dismiss him.  His is an evil
presence. And yet,

we see his humanity
in his need for ego strokes
and in his combed-over
yellow hair.

Carol A. Stephen
April 15, 2018

 

NaPoWriMo 2018 Days 10 through 13

Day Ten On April 10, 2018 from NaPoWriMo.net

 Today, we’d like to challenge you to write a poem of simultaneity – in which multiple things are happing at once.

Concurrence

As I sit, willing a poem to come
by door, by window, or casual thought
the heater hums, warms the room to summer,
droops my eyelids closer to each other
wills me to doze instead of write.

As I sit, the day passes by the window.
She’s wearing her same grey dress she
wore yesterday and the day before.
She frowns in the window, her clouds
lowering, perhaps angry she cannot pass
through the glass and into my room.

As I sit, cars vroom by too fast
for the street, in a hurry to
somewhere or in a rush back.
A small-town idea of getting things done.
A small-town way of going nowhere.

On the wall, a tiny black bug creeps
toward the painted scene of a
Mexican market that blends into
the background of the room, seldom noticed
It hangs its memories of elsewhere and the spice
scent of subtropical flowers and the sea.

I take a tissue, capture the creature’s
small existence, ending in a moment
his long journey from the floor.
Perhaps, like me, he hoped for
some warmer welcome.

His, in a wormhole of the picture’s frame.
Mine on the beach near the market in Acapulco.

OLYMPUS DIGITAL CAMERA

Carol A. Stephen
April 10, 2018

Day Eleven On April 11, 2018

 a poem that addresses the future, answering the questions “What does y(our) future provide? What is your future state of mind? If you are a citizen of the “union” that is your body, what is your future “state of the union” address?”

 

After the White Light

In the future I will live
further away from the sun

although live is not quite
the right word.

I will be surrounded
by the earth, becoming earth

as my bones and ashes
burrow deep into the soil

the soul separates
a different energy

body and mind will separate
their existences, create new

sparks in the energy
of the parallel universe

Carol A. Stephen,
April 11, 2018

 

 

 

 

DAY 12

“Today, we’d like to challenge you specifically to write a haibun that takes in the natural landscape of the place you live. It may be the high sierra, dusty plains, lush rainforest, or a suburbia of tiny, identical houses – but wherever you live, here’s your chance to bring it to life through the charming mix-and-match methodology of haibun.”

Day 12 haibun attempt:

Noting that I do not usually write in this form, or any Japanese form, for that matter.

Haibun:

She counts her many winters on worry beads she keeps in a drawer by her small bed. They come faster now, and colder, with a chill that creeps into her bones. It stays with her now, this snow inside the body, this ice running through her blue veins. Her landscape no longer vast, for even as time quickens her pace slows. She moves now with a measured step, the fragility of age that mocks her with memories of summer fields of wildflowers, the ones she ran through as a child.

Daisies in green grass
crushed yellow white haloes
small suns melting snow

 

Carol A. Stephen
April 12, 2018

 

Day 13

Today, we challenge you to write a poem in which the words or meaning of a familiar phrase get up-ended. For example, if you chose the phrase “A stitch in time saves nine,” you might reverse that into something like: “a broken thread; I’m late, so many lost.” Or “It’s raining cats and dogs” might prompt the phrase “Snakes and lizards evaporate into the sky.”

Evolve

The large reptilians were first to leave,
melted into rivers of sweat that carved
shores of great lakes and inland seas.

Only their tiny brains
survived, becoming
something other.

The smaller scaled creatures, the first
frogs, toads, the turtles all waited
to become.

As the waters cooled into snow,
they dreamed themselves
fur, almond eyes,

sharp teeth
for protection, sleek bodies,
a deep purr.

They persuaded the later apes to
provide food, shelter
and worship.

Apes, who
would become
the first  humans.

Carol A. Stephen
April 13, 2018

 

NaPoWriMo 2018 Day 6 through 8

NaPoWriMo Day 6 prompt:  “Today, we’d like to challenge you to write a poem that stretches your comfort zone with line breaks.…”

 

A Cold April Rain 

 In the light
of day, trees
in overcoats of thick ice, their branches
droop and sway and
the tree’s trunk cracks under the weight.

in the light
of day, roads
slick-coated in grey ice, hide
under a thin layer of snow. Everything
slides west toward the sun.

in the light
of the sun, ice
turns clear, then melts, the runoff rivering
toward drains, the overflow
and puddle at curbs and in front of mailboxes.

the storm ends
and in its wake
we mourn the death of trees.

Carol A. Stephen
for April 6, 2018

Day Seven On April 7, 2018

“And now for our (optional) prompt. In our interview, Kyle Dargan suggests writing out a list of all of your different layers of identity. For example, you might be a wife, a grandmother, a Philadelphian, a dental assistant, a rabid Phillies fan, a seamstress, retiree, agnostic, cancer survivor, etc.. These are all ways you could be described or lenses you could be viewed through. Now divide all of those things into lists of what makes you feel powerful and what makes you feel vulnerable. Now write a poem in which one of the identities from the first list contends or talks with an identity from the second list. ”

Accountant Speaks, Poet Answers Back

Poet, you lack focus and attention,
you have no sense of order, no plan, no deadline,
just write when the urge comes
and the pile of undone writing
at the end of the month is growing.  Your
nput exceeds output, the way
debt might exceed assets. You
don’t pay your dues to your poetic muse.

Accountant, don’t you see?  It isn’t
black and red, it doesn’t work
the same as 4 -2 = 2.
A poem might be 4 +2 = 6 but at its heart still- 4.

There is no balance sheet, no double-entry books,
It’s not like inflows and outflows at all.
It comes when it comes or it doesn’t
come at all. The poem isn’t a transaction.

It’s an idea, will ‘o’ the wisp,
chimera, figment, dream.

It’s a ghost you chase after.
It’s a butterfly fluttering on the wind.
Carol A. Stephen
April 7, 2018

 

 Day Eight On April 8, 2018

And now for our prompt (optional, as always). Let’s take a leaf from Shelley’s book, and write poems in which mysterious and magical things occur. Your poem could take the form of a spell, for example, or simply describe an event that can’t be understood literally. . .

 

Spells for a Summer Day

Whisper the spell for smooth, taut skin
the face of youth shining back in the glass

Whisper the spell for one last love,
the one that the soul was meant to know

Whisper the spell for fairy dust, for a magic wand
and for wanderlust, far away castles that float in air

sun always shining, weather always fair
the song of the birds, the flowers of spring

Whisper the spell for everything
we wished for as children.

Be young again, free, and full of laughter
Let go the fear of what’s coming after the last day

we breathe, the last day we speak, the last
day we whisper the spells in the glass.

Carol A. Stephen
April 8, 2018

 

NaPoWriMo 2018 Two Sylvias Press Days 10 and 11

For Day 10, the prompt was to work with Sylvia Plath’s poem, Three Women, and the idea of mothering and sadness. I used an old erasure poem as a basis for this and reworked it. The coloured fonts represent the different voices I heard in this piece.

Mothering in Three Voices

 

Bear witness.  We each mother
our own pain.
Hatred of the body runs deep
in rivers of distrust

I mother the pain of women
consciousness growing
backward, denial
peeled away.

Sylvia, you’re so tired. Lie down.

Our tiredness profound,
we felt how good we were
at pushing down tears.

Don’t ask for light, Sylvia.

And I wept for myself,
for my mother, for the endless
grief of losing two children.
 

Don’t ask for your grandmother’s grief.
Her mother died in childbirth
wailing for all women.
Not your pain, Sylvia, but the pain.

She knew why we were on earth.
There are no mistakes, no other path,
no words beyond reason.
The veil between is thin.

 

Carol A. Stephen
April 9, 2016/April 12, 2018
rework of What We Carry with Us

 

 

 

 

 

 

 

For Day 11, the prompt asks to draw ten circles, then use the circles to draw images, then write about the images, using at least five of them. And to write in couplets, at least 15 lines.

Here is my attempt:

Remember Gilroy?

At harvest, when the pumpkin’s ripe and the moon
shines full on the shadows, Gilroy

my cat, eyes like dark beads, sings songs at
the front door, loud enough to wake babies.

Daytime, he plays with his sparkly toy balls,
plays fetch like the old dog used to do.

Daytime, his eyes like marbles, narrow
to slits, as he readies himself to

pounce on a malted-milk ball, loose
from the package and rolling on the floor.

We trip over unsuspected lumps
under the edges of carpets.

Wherever that cat goes, he leaves his presents.
Never puts his toys away, except in his food bowl

when it’s empty.
It’s all just to say, Gilroy was here!

Carol A. Stephen/April 11, 2018