Day 22 NaPoWriMo Fruit or the Vegetable Lamb or…

The prompt for today said “I’d like you to write a poem about a plant. Flowers, of course, have been the subject of poems since time immemorial, and continue to be a source of much inspiration. But perhaps you could write about a tree, or a shrub, or grass. Maybe even a fictional or mythological plant. I could really see some good poems about the Vegetable Lamb of Tartary! (In fact, a few poems were written about it, back between 1550 and 1800. I say it’s time for a renaissance!)” 

The Vegetable Lamb of Tartary

The Vegetable Lamb of Tartary (Wikipedia)

Carol A. Stephen

So I read about that and it was interesting, another of those stories where everyone has a version and they are not necessarily the same, but not different either. So here’s my poem:
Of Mythical Tales of Watersheep and Barnacle Geese

Were watersheep born on the stem of a plant,
or Barnacle geese born of wood drifted slant,
or maybe both spawned from some strange fleshy fruit?
Perhaps they were mythical creatures to boot,
the stories embellished for use on fast day,
so men could still savour their meals on Friday.

Barnacle Geese. Facsimile of an Engraving on W...

Barnacle Geese. Facsimile of an Engraving on Wood, from the "Cosmographie Universelle" of Munster, folio, Basle, 1552. Project Gutenberg text 10940 (Photo credit: Wikipedia)

These men of the cloth and of pious belief
could eat meat those days in such a relief,
that these were the fruits of the water, the sea,
and so could be eaten most sensitively

on fish days and fast days and days in between,
they’d not have to worry the meat might be seen.
If meat is a fruit, it could be tomato,
or if it’s veggie, it could be potato,
and then there’s no sin that must be repented
no penance to do, and nothing resented.

It all sounds quite silly, I think you’ll agree,
just another old wives’ tale if you ask me.

Carol A. Stephen
April 22, 2012

Here, also, real Barnacle Geese, looking perfectly

normal.

Two Barnacle Goose (Branta leucopsis)

Two Barnacle Goose (Branta leucopsis) (Photo credit: Wikipedia)

No-Comfort Zone Week Ending April 23, 2012

Well, this was a busy but successful week. I attended two meetings on Monday, a lunch appointment on Tuesday and a much-anticipated and dreaded doctor’s appointment on Wednesday. But it appears I must have been doing something right on the health score, as my tests showed improved numbers. This is kidney-related, so has been an ongoing concern for several years now, and a complex one to deal with as far a diet goes.

What else? Well, on Friday I sent off my very first non-contest related submission to a national literary magazine. With some help from my friend Claudia. I promised her that it would be for this first one only, just to get me past the initial block. So that’s done. This week I am prepping for the Massachusetts workshop. Good news there too, as my brother will be back in town to cat-sit and house-sit etc. Have to admit though that the maps look rather confusing. Thank goodness for GPS.

I managed yesterday to catch up on both poetry challenges. But today I must clean up my desk so I can start the next batch of paper piles. My goal for the week to come is to work on Massachusetts-related “homework” and to pull together all the info I want to have on hand about the trip, the inn, and the workshop. And my travel lists. Only three weeks away now!

We’ll be staying here: http://brookfarm.com/ which is where most of the workshop will be held, but we will also take in some local sites. See below. The Mount was Edith Wharton’s residence, Steepletop was Edna St. Vincent Millay‘s. And I must mention our leader/instructor, James Arthur. James is a American-Canadian poet, writer, teacher, who grew up in Toronto but who now lives in the U.S. He was the instructor for the Stanford online 10-week poetry course that I took back in the fall of 2010. Two of the other students from that class will also be attending, so we will finally all get a chance to meet in person!

Pics of two places we’ll be visiting while in Lenox: Edith Wharton‘s Estate The Mount, Lenox  (our last day workshop will be held here)

The Mount, 2006

The Mount, 2006 (Photo credit: Wikipedia)

Alternative view of the front side of The Moun...

Alternative view of the front of The Mount, former home of Edith Wharton, in Lenox, Massachusetts. (Photo credit: Wikipedia)

Main house at Steepletop Farm, home of Edna St...

Main house at Steepletop Farm, home of Edna St. Vincent Millay (Photo credit: Wikipedia)

Day 21 Write a Hay (na) ku

Ok, so I will never be a Hay (na) ku poet.  My feeble attempts. Since they were bad, I figured quantity over quality might work.  lol

 

My
cat complains.

Photo of a siamese cat

(Wikipedia)

Being a cat.

He
pokes me
with his paw.

My
eye blinks
with the pain.

***
Cattle

Grass

Grass (Photo credit: Mathew Knott)

graze widely.
Grass shortage imminent.

***

Reverse hay(na)ku

Left-brain-justified
my own
creation.

***
Computer monitor black
Terminal error
unplugged.

Windows 3.1 black screen of death caused by an...

black screen of death error in DOS-based app (Wikipedia)

Day 19 NaPoWriMo Write an “Opposite” poem

The prompt for the 19th was to have an “opposite” day, where everything you say means the opposite. So we were to choose a poem (our own or someone else’s) and write it opposite.  Some of the words were challenging as they had no equivalent, but I managed!  I used one of my own poems that I have been working on for a long time and still not pleased with. Not sure this is better, but it is different. I had also reformatted to reverse the indents but that doesn’t translate when I cut and paste.

Old US35 Concrete Bridge

Old US35 Concrete Bridge (Photo credit: dok1)

When I Return
(Opposite version of my poem If I Leave)

I have always slept in barns, called cellars
home, held fast by walls, in harm’s way
under concrete bridges driven there by high winds.
How gracefully I’d climb over concrete, ridges empty
of rain, empty of weeds that sprout between the cracks.

I’ve dug up my garden, chased away the mosquitoes
that hover among the broken shards of flowerpots.
They buzz their frustration over my shade which has no flesh.

If I return after you, dig up my bones, tear down the stone,
turn under every white daisy, red carnation,
the dandelions that spew their  silk-seed parachutes.

Path made of old gravestones

old gravestones (Wikipedia)

Do not pray for me with cut flowers,
gather them in the parlour, place them in vases,
their colour will reveal no questions of where or whom.
Cry now, turn back from the forest,
find me among the branches of its youngest sapling.

Take my body from the ground, my spirit from the air
and hold it firm, speak words of future
do not listen to the stillness of the air, the voiceless

Dietkirchen gravestones

Wikipedia

hum of crickets. Your down-turned lips
pull my energy back to earth.

Carol A. Stephen
April 19, 2012